A PASSIONATE LIGHT – The SX-70 Polaroids of Harold Joe Waldrum

Museum of New Mexico’s joint exhibit with The Albuquerque Museum of Art and History

PRESS RELEASE

Joint exhibit with The Albuquerque Museum of Art and History features hundreds of “little jewels

Santa Fe (Jan. 6, 2011) – A rush to catch a plane and the convenience of a Safeway grocery store led to noted New Mexico artist Harold Joe Waldrum’s long-term love affair with SX-70 Polaroid monoprints, images that Waldrum referred to as “little jewels.” The late artist’s collection of nearly 8,000 images was recently donated to the Palace of the Governors Photo Archives. A selection of them will be displayed in a joint exhibition at the New Mexico History Museum and The Albuquerque Museum of Art and History, Jan. 30-April 10.

A Passionate Light: Polaroids by Harold Joe Waldrum features a total of 1,202 4½” x 3¼” images between the two museums (264 at the New Mexico History Museum; 938 at The Albuquerque Museum of Art and History). For the exhibit, Mary Anne Redding, curator of the Palace of the Governors Photo Archives, has chosen images that range from Waldrum’s studies of northern New Mexico churches to the delicate transiency of flowers.

Known primarily as a painter and print-maker, Waldrum began working with the Polaroid when he was completing his annual summer painting trip to Taos. Set to return to New York the next day, he didn’t have time to sketch San Jose de Garcia Church in Las Trampas – drawings he would need to guide him on a future painting. Lacking even a camera to take some stills, he sped to a nearby Safeway and bought a Polaroid One-Step and four boxes of film. He managed to barely beat the setting sun in exposing all the film, which developed on the car seat next to him as he drove home to finish packing.

Upon returning to his New York studio, he pulled out his hurriedly snapped images and realized they captured more than shapes and colors; they documented his thinking and looking process.

Church at Arroyo Hondo

From the late 1970s until his death in 2003, Waldrum faithfully carried the camera with him and captured images ranging from the spontaneously casual to the carefully composed. Nicholas Chiarella, imaging specialist for the Photo Archives, scanned the images into digital form, realizing along the way, he said, that they “deftly assert the potential …to function dually as historic documents and artistic objects.”

Born in Texas in 1934, Waldrum lived and made art in New Mexico from 1971 until his 2003 death in Truth or Consequences. His collection of SX-70 monoprints was given to the Archives by the Waldrum Estate and Rio Bravo Fine Art in Truth or Consequences. Among Polaroid aficionados, the SX-70 holds special appeal for the stability of its prints. Waldrum’s monoprints, some of them more than 40 years old, are in nearly mint condition with true colors.

The artist himself considered the images an important body of art, not mere documentation for his paintings. When anyone questioned their artistic merit, Waldrum bristled: “One gallery director said to me, `Joe, anyone can point a Polaroid camera and push a button. I will agree with him, if he will agree with me that anyone with a scalpel can cut out your appendix.”

Beyond seeing adobe churches as subject matter for his artwork, Waldrum dedicated himself to their conservation. He made videos, gave lectures, established El Valle Foundation to raise restoration funds, hosted exhibitions and spoke often about the importance of the churches not just as spiritual centers but as a means for maintaining the indigenous history and culture of Spanish New Mexico.

The museums are co-hosting a series of lectures and events during the show’s run. The following events are at The Albuquerque Museum, unless otherwise noted:

Friday, Jan. 28, 5 pm: Members-only preview. For media invitations, contact Heather Shore at (505) 338-8730; or (505) 504-2009.

Sunday, Jan. 30
1 pm: “Passionate Enterprises: Archives, Photography & Collecting,” lecture by Mary Anne Redding, curator, Palace of the Governors Photo Archives.
1-3 pm: Bring, scan and share your personal Polaroids on the instant online archive
3 pm: “Polaroid Minutes,” performance by Ecotone Physical Theatre.

Sunday, Feb. 13, 1 pm: “Ansel Adams and Polaroid,” lecture by Alan Ross, photographer and assistant to Adams.

Sunday, Feb. 27, 1 pm: “How Polaroid Shaped Fine Art Photography,” panel discussion by photographers Tom Barrow, Joyce Neimanas, Chris Enos and Sigfried Halus. Moderated by Mary Anne Redding.

Saturday, March 12, 1-4 pm: Family Day: Picture It! Explore how photographers see and create through engaging activities. Enjoy family scavenger hunts, art projects and more.

Friday, March 18, 6 pm (at the New Mexico History Museum) and Sunday, March 20, 1 pm (at The Albuquerque Museum): “Insisting on the Impossible: The Life of Edwin Land,” lecture by Dr. Victor McElheny, a noted science writer.

Saturday, April 9, 8:30 am-7:30 pm: Churches of Northern New Mexico, bus tour led by Albuquerque Museum Director Cathy Wright and Curator Andrew Connors. Leave from The Albuquerque Museum, see the History Museum’s portion of the exhibit, lunch at Rancho de Chimayó and visit several of the churches Waldrum photographed and painted. Reservations required. Tickets: $55 members of either the Museum of New Mexico Foundation or The Albuquerque Museum; $60 nonmembers.

High-resolution images from the exhibit are available for downloading here.

Media contacts:

Kate Nelson
New Mexico History Museum/Palace of the Governors
(505) 476-1141 or (505) 554-5722 (cell)
kate.nelson@state.nm.us

Heather E. Shore
The Albuquerque Museum of Art and History
(505) 338-8750 or (505) 504-2009 (cell)
hshore@albuquerquemuseum.com

The New Mexico History Museum is the newest addition to a campus that includes the Palace of the Governors, the oldest continuously occupied public building in the United States; Fray Angélico Chávez History Library; Palace of the Governors Photo Archives; the Press at the Palace of the Governors; and the Native American Artisans Program. A division of the Department of Cultural Affairs.

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