Estío, 48x50.5" acrylic on linen, 1979
Azul, azul, azul II, 33x30" acrylic on linen, 1980
Marion C, 64x56" acrylic on canvas, 1979
Vigil, 45x41" acrylic on canvas, 1977
Primrose House, 30x33" acrylic on canvas, 1980
Una ventana de Taos, 56x50" acrylic on canvas, 1979
Rose on Green Window, 19.75x15.5" monotype on paper
Para Santuario, 52x50.5" acrylic on linen, 1979
Pino Road, 39x39" acrylic on canvas, 1978
Elena, 27x22" acrylic on linen, 1980
I Did This, 18x15" acrylic on paper mounted on canvas, 1979
El cuadro primero despues Gusano, 20x16" acrylic on canvas
Marlou, 27x23.5" acrylic on canvas, 1979
“I began the window series in 1971. My initial intent was to paint a series of value and color studies for myself. The first form chosen was a rectangle within a rectangle within a rectangle. Other tripartite forms were explored and excused. The concluding form (triptychs/landscapes), in which the three rectangles are squared, taken apart and stacked, appears to be the termination of that initial intent.
The triptychs free me of previous academic considerations associated with making paintings. Composition and other artistic stunts are gone. Nothing remains except the three color-weights, the relationship of each trio and the feeling that something is right.“
— Harold Joe Waldrum, May 1981